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You've selected:
Evan Ziporyn
Sheetmusic to print
5 sheet music found
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1
Don't Want to Wait
Don't Want to Wait
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Piano solo
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Christine Southworth, Evan Zip
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Don't Want to Wait
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Airplane Ears Music
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SheetMusicPlus
Piano Solo - SKU: A0.1013059 Composed by Christine Southworth, Evan Ziporyn. 20th Century,Contemporary,Pop. Score. 14 pages. Airplane Ears Music #580210...
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Piano Solo - SKU: A0.1013059 Composed by Christine Southworth, Evan Ziporyn. 20th Century,Contemporary,Pop. Score. 14 pages. Airplane Ears Music #5802107. Published by Airplane Ears Music (A0.1013059). Don't Want to Wait (2017, 8' collaboratively composed by Christine Southworth & Evan Ziporyn) for solo piano, commissioned by Joel Fan / Open Source Music FestivalBased in Lexington, Massachusetts, Christine Southworth is a composer and video artist, creating art born of sonic and visual ideas, inspired by intersections of technology and art, nature and machines, and musics from cultures around the world. Evan Ziporyn is a composer that draws from classical music, avant-garde, world music traditions, and jazz. He is also a Distinguished Professor of Music at MIT and known for his solo performances on clarinet and bass clarinet. Don’t Want To Wait emerges as a truly collaborative effort.About the ComposersChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.comEvan Ziporyn (b. 1959) Composer/conductor/clarinetist Evan Ziporyn's music has taken him from Balinese temples to concert halls around the world. Website: www.ziporyn.com
$5.00 ≈
4.67€
100 30-Second Pieces for 2 Pianos
100 30-Second Pieces for 2 Pianos
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Evan Ziporyn
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100 30-Second Pieces for 2 Pia
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Airplane Ears Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.1013067 Composed by Evan Ziporyn. 20th Century,Contemporary,Standards. Score and parts. 12...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.1013067 Composed by Evan Ziporyn. 20th Century,Contemporary,Standards. Score and parts. 126 pages. Airplane Ears Music #5808621. Published by Airplane Ears Music (A0.1013067). 100 pieces for two pianos (four hands), each precisely 30 seconds long. The set can be performed in its entirety, mixed-and-match into smaller suites, or performed as individual movements. A companion set by Christine Southworth - of the same title and same length, and written at the same time, in early 2011 - is also available.Composed in 2011 by Evan Ziporyn, .
$10.00 ≈
9.33€
Zap!
Zap!
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Contemporary
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Christine Southworth
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Evan Ziporyn
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Zap!
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Airplane Ears Music
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Drum Set,Guitar,High Voice,Low Voice,Piano,Xylophone - Level 5 - SKU: A0.1013064 Composed by Christine Southworth. 20th...
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Large Ensemble Cello,Double Bass,Drum Set,Guitar,High Voice,Low Voice,Piano,Xylophone - Level 5 - SKU: A0.1013064 Composed by Christine Southworth. 20th Century,Contemporary. Score and parts. 61 pages. Airplane Ears Music #5802121. Published by Airplane Ears Music (A0.1013064). Zap! (2005, 45 minutes) for Van de Graaff Generator, Lyricon, voices, guitar, cello, bass, percussion, piano, robotic xylophone and electronics. The sound of electricity at its rawest and most majestic - sparks, booms, lightning bolts, sizzling corona and low hums from giant motors - intermingle with the sounds of cello, bass, guitar, piano, clarinets, percussion and voice. Christine Southworth created Zap! in 2004 to explore these possibilities, using the Boston Museum of Science's Theater of Electricity as her venue and instrument. Its centerpiece - MIT Professor Robert Van de Graaff's eponymous Generator, was born in 1931 as one of the world's largest atom smashers. It is still the largest of its kind in the world, standing forty-feet tall and producing up to 1.5 million volts of electricity. Zap!, a composition in seven parts, takes the sounds of this machine, two large Tesla Coils, and a Jacob's Ladder, merged with rock rhythms and sweet melodies performed by Robert Black, David Cossin, Felix Fan, Philippa Thompson, Eddie Whalen, & Evan Ziporyn. The resulting music is ... electrifying!Premiered February 4, 2005 at Boston Museum of Science by Ensemble Robot, Jeff Lieberman (guitar), Blake Newman (bass), Sachi Sato (keyboard), Mei-mi Lin (keyboard), Akili Haynes (percussion, voice), Erik Nugent (Lyricon, voice), Rebecca Zook (cello), Christine Southworth (voice, Van de Graaff controls), Leila Hasan (Van de Graaff controls), Giles Hall (robot controls).About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$20.00 ≈
18.67€
How the Cowboy Makes his Lariat
How the Cowboy Makes his Lariat
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Guitar
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INTERMEDIATE
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Contemporary
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Christine Southworth
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How the Cowboy Makes his Laria
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Airplane Ears Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1013060 Composed by Christine Southworth. 20th Century,Contemporary. Individual part. 5 pages. Airplane Ears Music #5802...
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Solo Guitar - Level 3 - SKU: A0.1013060 Composed by Christine Southworth. 20th Century,Contemporary. Individual part. 5 pages. Airplane Ears Music #5802099. Published by Airplane Ears Music (A0.1013060). How the Cowboy Makes His Lariat (2010, 3:20)two acoustic guitarsCommissioned by National Film Preservation Foundation for Treasures [from American Film Archives] V: The [American] West. How the Cowboy Makes His Lariat (1917) Production Company: Bray Studios Inc., for Paramount-Bray-Pictographs. Cast: Pedro León. Transfer Note: Copied at 20 frames per second from a 35mm print preserved by George Eastman House. New Music: Christine Southworth (score), Charles Whalen (guitar), Evan Ziporyn (whistling). Commentary: Donald W. Reeves. Running Time: 3 minutes. Featured in Treasures 5: The West, 1898-1938.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$5.00 ≈
4.67€
Supercollider
Supercollider
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Christine Southworth
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Gamelan Elektrika
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Supercollider
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Airplane Ears Music
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1013056 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 35 pages. ...
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String Quartet String Quartet - Level 3 - SKU: A0.1013056 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 35 pages. Airplane Ears Music #5802093. Published by Airplane Ears Music (A0.1013056). Super Collider (2010, 18 minutes) Kronos Quartet and electronic gamelanComposed for Kronos Quartet & Gamelan Elektrika. Premiered at Lincoln Center Out of Doors Festival, August 13, 2010 by Kronos Quartet and Gamelan Elektrika: Evan Ziporyn, kendang; Sean Mannion, kempli; Balaji Mani, ceng-ceng; Laurel Pardue & Sachi Sato, pemade; Katie Puckett & Sam Schmetterer, kantilan; Mark Buckles, Ramon Castillo, Elizabeth Johansen, Julie Strand, reong; Beth Mullins & Po-Chun Wang, pokokGamelan Elektrika is an electronic virtual gamelan designed and developed by Alex Rigopulos (founder and CEO of Harmonix Music, inventors of video games Guitar Hero and Rock Band). The piece is inspired by the Large Hadron Collider at CERN - the largest machine ever built, that's purpose is to change science forever, recreating the beginning of the universe in a tube and proving (or disproving) the theories of particle physics of the last half-century.Particle physics is the unbelievable in pursuit of the unimaginable. To pinpoint the smallest fragments of the universe you have to build the biggest machine in the world. To recreate the first millionths of a second of creation you have to focus energy on an awesome scale. - The GuardianSuper Collider will explore two obverse sound worlds and traditions, the vast culture of the string quartet juxtaposed with the ancient performance methods of a gamelan, unleashed through the unlimited sonic universe of electronics. In our own test-tube experiment, this musical moment of collision will hopefully achieve similarly unparalleled results.What does particle physics have to do with music and art? String theory, which the CERN facility hopes to verify or disprove, presumes that matter itself is the manifestation of resonant vibrations, that the world itself is a universal harmony. This post-modern notion - which Kronos embodies with every performance - itself resonates with the ancient Hindu notion of om, the absolute manifest, which is the basis of Indonesian gamelan. We will bring these two ideas of resonance together by combining Kronos with a gamelan - even a virtual one.The behavior of subatomic particles is probabilistic, group-oriented: the motion of any one particle is unpredictable and unknowable: it's what the group does that counts. This could also be a description of the Balinese gamelan, where individual virtuosity is subsumed to interlocking patterns, composite melodies, the sound of the whole. This is also the spirit of Kronos.When Robert Moog developed his synthesizer in the 1960s, he modeled its functionality on the piano and on western music in general - a single person, sitting at a keyboard. This is one reason why it was popularized by Wendy Carlos' Swtiched On Bach. Gamelan Elek Trika takes a similar approach to the very distinctive musical practices of Indonesia. Like the great gamelans of Bali and Java, Gamelan Elek Trika works as a single unit, played by a complete ensemble. The instruments are played like a gamelan - metallophones, drums, and gongs, playing interlocking patterns - but all are channeled through a central 'brain', a single processing unit which controls their sound, tuning, and timbre. The composer can thus alter the sonic environment globally, not just for one instrument at a time but for the complete ensemble.Super Collider is made possible by generous support from Alex Rigopulos and Sachi Sato, MIT, and the MIT Media Lab. Gamelan Elektrika instruments produced by Alex Rigopulos; sensors, electronics, and interface design by Andrew Boch, Matt Boch, and Laurel Pardue; technical assembly by Stéphanie Bouchard; frame design and assembly by Quentin Kelly.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic.
$35.00 ≈
32.67€
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1
Evan Ziporyn
